![]() The fragment is closest to ‘Fall’ 1963, but it also approximates to ‘Polarity’ 1964, ‘Crest’ 1964 and ‘Current’ 1964. ![]() P07105 seems to relate to a group of paintings in which Riley was considering the tensions found in the tight and loose undulations of lines. In selecting perspex as the ground Riley was clearly interested in setting a dense black image upon an intensely white and brilliant surface. (She was at this period working almost exclusively in black and white). The title ‘Fragments’ is significant in that most of the prints consist of images which the artist arrived at through making studies for paintings. ![]() ![]() Lit: Maurice de Sausmarez, Bridget Riley, 1970, repr. Purchased from the Rowan Gallery (Gytha Trust) 1970.
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